Which Is The First Assamese Colour Cinema Director?

Kamal Narayan Choudhury directed Bhaity (ভাইটী), released in 1972, which is officially recognized as the first full-length Assamese colour film. This achievement marked a major transition from black-and-white filmmaking to colour cinema in Assam, significantly enhancing visual storytelling and audience engagement.

Before the release of Bhaity, Assamese films were primarily produced in black and white, although some earlier productions, such as Shakuntala (1961), contained limited colour sequences. However, Bhaity stood apart as the first complete feature film shot entirely in colour, making Kamal Narayan Choudhury the pioneer of colour filmmaking in Assamese cinema.

Apart from being a film director, Kamal Narayan Choudhury was also a respected music director and documentary filmmaker, contributing extensively to Assamese art, culture, and visual media. His work reflected social themes, cultural identity, and regional storytelling, which helped shape the future direction of Assamese films.

The introduction of colour cinema through Bhaity not only improved cinematic aesthetics but also encouraged filmmakers in Assam to adopt modern filmmaking techniques. This milestone remains a crucial chapter in the history of regional Indian cinema and continues to be referenced in discussions about Assamese film heritage.

Key Highlights:

• Kamal Narayan Choudhury introduced full-length colour cinema to Assam.

• Bhaity (1972) is the first complete Assamese colour film.

• The film marked a technological and artistic breakthrough.

• His contribution influenced future generations of Assamese filmmakers.

• A major milestone in the cultural history of Assamese cinema.